{"title":"Guggenheim - 1632\/SHOP BY CATEGORY\/COUNTRYSIDE","description":null,"products":[{"product_id":"countryside-exhibition-long-sleeve-shirt-unisex","title":"Countryside Exhibition Long-Sleeve Shirt, Unisex","description":"\u003cp\u003e\u003cstrong\u003eGuggenheim Exclusive\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis white long-sleeve shirt features a design created for the Guggenheim's current exhibition, \u003cem\u003eCountryside, The Future\u003c\/em\u003e, with the Guggenheim's trademark logo on the right sleeve.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e100% cotton\u003c\/li\u003e\n\u003cli\u003eAdult sizes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Guggenheim Museum","offers":[{"title":"Small","offer_id":47194073170169,"sku":"404004291585","price":23.97,"currency_code":"USD","in_stock":false},{"title":"Medium","offer_id":47194073202937,"sku":"404004291592","price":23.97,"currency_code":"USD","in_stock":false},{"title":"Large","offer_id":47194073235705,"sku":"404004291608","price":23.97,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":47194073268473,"sku":"404004291615","price":23.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/3418\/0345\/files\/3465wht-countryside-long-sleeve-shirt_1.jpg?v=1767914465"},{"product_id":"kandinsky-long-sleeve-shirt-yellow-painting","title":"Kandinsky Long-Sleeve Shirt, Yellow Painting","description":"\u003cp\u003eDesigned for the occasion of the \u003ci\u003eVasily Kandinsky: Around the Circle\u003c\/i\u003e exhibition, now on view the Solomon R. 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Increasingly under a 'Cartesian' regime-gridded, mechanized, and optimized for maximal production-these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth's vast non-urban areas.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCountryside, A Report\u003c\/em\u003e gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan's infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today's countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on ?their? territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.\u003c\/p\u003e\n\u003cp\u003eThis book is the official companion to the Guggenheim Museum exhibition \u003cem\u003eCountryside, The Future.\u003c\/em\u003e The exhibition and book mark a new area of investigation for architect and urbanist Rem Koolhaas, who launched his career with two city-centric entities: \u003cem\u003eThe Office for Metropolitan Architecture\u003c\/em\u003e (1975) and \u003cem\u003eDelirious New York\u003c\/em\u003e (1978). It's designed by Irma Boom, who drew inspiration for the book's pocket-sized concept, as well as its innovative typography and layout, from her research in the Vatican library.\u003c\/p\u003e\n\u003cp\u003eThe book brings together collaborative research by AMO, Koolhaas, and students at the Harvard Graduate School of Design; the Central Academy of Fine Arts, Beijing; Wageningen University in the Netherlands; and the University of Nairobi. Contributors also include Samir Bantal, Janna Bystrykh, Troy Conrad Therrien, Lenora Ditzler, Clemens Driessen, Alexandra Kharitonova, Keigo Kobayashi, Niklas Maak, Etta Madete, Federico Martelli, Ingo Niermann, Dr. Linda Nkatha Gichuyia, Kayoko Ota, Stephan Petermann, and Anne M. Schneider.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSoftcover\u003c\/li\u003e\n\u003cli\u003e3.9 x 6.3 in.\u003c\/li\u003e\n\u003cli\u003e352 pages\u003c\/li\u003e\n\u003cli\u003ePublished in 2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Guggenheim Museum","offers":[{"title":"Default Title","offer_id":47194088997113,"sku":"9783836583312","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/3418\/0345\/files\/countryside-catalogue.jpg?v=1767914909"},{"product_id":"hilma-af-klint-paintings-for-the-future","title":"Hilma af Klint: Paintings for the Future","description":"\u003cp\u003eTracey Bashkoff, with contributions by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, Ylva Hillstrm, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, and Julia Voss\u003c\/p\u003e\n\u003cp\u003eWhen Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another twenty years. But only in recent decades has the public had a chance to reckon with af Klint's radically abstract painting practice-one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements, and esoteric symbolism.\u003c\/p\u003e\n\u003cp\u003eAccompanying the first major survey exhibition of the artist's work in the United States, \u003cem\u003eHilma af Klint: Paintings for the Future\u003c\/em\u003e represents her groundbreaking painting series while expanding recent scholarship to present the fullest picture yet of her life and art. Essays explore the social, intellectual, and artistic context of af Klint's 1906 break with figuration and her subsequent development, placing her in the context of Swedish modernism and folk art traditions, contemporary scientific discoveries, and spiritualist and occult movements. A roundtable discussion among contemporary artists, scholars, and curators considers af Klint's sources and relevance to art in the 21st century. 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From 1886 through 1892 he studied law and economics at the University of Moscow, where he lectured after graduation. In 1896 he declined a teaching position in order to study art in Munich with Anton Azbe from 1897 to 1899 and at the Kunstakademie with Franz von Stuck in 1900. Kandinsky taught in 190103 at the art school of the Phalanx, a group he cofounded in Munich. One of his students, Gabriele Mnter, would be his companion until 1914. In 1902 Kandinsky exhibited for the first time with the Berlin Secession and produced his first woodcuts. In 1903 and 1904 he began his travels in Italy, the Netherlands, and North Africa and his visits to Russia. He showed at the Salon dAutomne in Paris from 1904.\u003cbr\u003e\u003cbr\u003eIn 1909 Kandinsky was elected president of the newly founded Neue Knstlervereinigung Mnchen (NKVM). The groups first show took place at Heinrich Thannhausers Moderne Galerie in Munich in 1909. 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On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.\u003c\/p\u003e\n\u003cp\u003eJosef Albers in Mexico brings together photographs, photo collages, prints and significant paintings from the Variants\/Adobe (194666) and Homage to the Square (195076) series from the collections of the Solomon R. Guggenheim Museum and the Anni and Josef Albers Foundation. 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The network of thin, agitated lines indicates a graphic, two-dimensional sensibility, while the floating, vibrantly hued forms suggest various spatial depths. Black lines was completed in 1913 and is featured in the Solomon R. Guggenheim's permanent collection.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePaper measures 24 x 30 in.\u003c\/li\u003e\n\u003cli\u003eImage measures 22 x 22 in.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eAbout the Artist:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eVasily Kandinsky was born on December 4, 1866, in Moscow. From 1886 through 1892 he studied law and economics at the University of Moscow, where he lectured after graduation. In 1896 he declined a teaching position in order to study art in Munich with Anton Azbe from 1897 to 1899 and at the Kunstakademie with Franz von Stuck in 1900. Kandinsky taught in 190103 at the art school of the Phalanx, a group he cofounded in Munich. 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By 1910 many of the artists abstract canvases shared a common literary source, the Revelation of Saint John the Divine; the rider came to signify the Horsemen of the Apocalypse, who will bring epic destruction after which the world will be redeemed. In both Sketch for Composition II and Improvisation 28 (second version) Kandinsky depicted-through highly schematized means-cataclysmic events on one side of the canvas and the paradise of spiritual salvation on the other. In the latter painting, for instance, images of a boat and waves (signaling the global deluge), a serpent, and, perhaps, cannons emerge on the left, while an embracing couple, shining sun, and celebratory candles appear on the right.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Guggenheim Museum","offers":[{"title":"Default Title","offer_id":47194098073849,"sku":"404004210999","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/3418\/0345\/files\/112791632-poster_kandinsky_bluemountain.jpg?v=1767915369"},{"product_id":"kandinsky-scarf-yellow-painting","title":"Kandinsky Scarf, Yellow Painting","description":"\u003cp\u003eDesigned for the occasion of the \u003ci\u003eVasily Kandinsky: Around the Circle \u003c\/i\u003eexhibition, now on view the Solomon R. 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Including several new, never-before-seen works, the book shows an artist at the height of his power.\u003c\/p\u003e\n\u003cp\u003eAddressing topics ranging from art history to social justice, \u003ci\u003eNick Cave: Forothermore \u003c\/i\u003eincludes essays from Naomi Beckwith, Romi Crawford, Antwaun Sargent, Malik Gaines, Krista Thompson and Meida Teresa McNeal. Punctuating these contributions are interviews with the artist exploring his life, work. and teaching practice, as well as a roundtable discussion between Cave and dancer Damita Jo Freeman, musician Nona Hendryx, and publisher Linda Johnson Rice on Cave's art and influences, as well as pivotal cultural phenomena from Soul Train to \u003ci\u003eEbony \u003c\/i\u003emagazine. \u003ci\u003eNick Cave: Forothermore \u003c\/i\u003ereveals the way art, music, fashion, and performance can help us envision a more just future.\u003c\/p\u003e\n\u003cp\u003eNick Cave (b. 1959) is an artist and educator working between the visual and performing arts through a wide range of mediums, including sculpture, installation, video, sound, and performance. Cave is well known for his \u003ci\u003eSoundsuits\u003c\/i\u003e, sculptural forms based on the scale of his body, initially created in direct response to the police beating of Rodney King in 1991. Cave has had major exhibitions at MASS MoCA (2016), Cranbrook Art Museum (2015), Saint Louis Art Museum (201415), ICA Boston (2014), Denver Art Museum (2013), Seattle Art Museum (2011), and the Yerba Buena Center for the Arts (2009), among others. Cave lives and works in Chicago.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHardcover\u003c\/li\u003e\n\u003cli\u003e9 11 in.\u003c\/li\u003e\n\u003cli\u003e304 pages, 250 color\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Guggenheim Museum","offers":[{"title":"Default Title","offer_id":47194104824057,"sku":"9781942884965","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0756\/3418\/0345\/files\/b9781942884965-nick-cave-catalogue.jpg?v=1767915645"},{"product_id":"alex-katz-gathering-catalogue","title":"Alex Katz: Gathering Catalog","description":"\u003cp\u003eThe evolution of Alex Katz: nearly 80 years of restless innovation in portraiture and landscape across painting, works on paper and sculpture.\u003c\/p\u003e\n\u003cp\u003eAcross decades of intense creative production, Alex Katz has sought to capture a state of absolute awareness in paint. Whether evoking a glancing exchange between friends or a shaft of light filtered through trees, he has aimed to create a record of quick things passing, compressing the flux of everyday life into a condensed burst of optical perception. Published on the occasion of the artists first US career retrospective in more than 30 years, \u003ci\u003eAlex Katz: Gathering \u003c\/i\u003eoffers a definitive account of Katzs artistic project, demonstrating both its marked coherence and restless evolution. 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